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How To Pitch Your Nonfiction Book To The Right Publishers In 4 Easy Steps

How To Pitch Your Nonfiction Book To The Right Publishers In 4 Easy Steps

You’ve put your heart and soul into your book, and it is a great achievement to celebrate! But now that you have it completed, what do you do with it? Your book is written and edited to perfection…now what?

Most likely, you will want to get it published and have it become successful, whether to help you establish yourself as an expert, teach others, entertain, or build your business or brand.

Now you need a publisher!

But, how do you go about contacting a publisher who will publish your book? How do you find the right publisher for your type of book? How do you submit it to them? What can you expect?

While you can certainly just look up the address of the big publishing houses and fire your book off to them, you’ll have a greater chance of successfully getting published if you take some time to follow these four easy steps and pitch to the right publishers.

Step 1: Identify the right type of publishers for your book

Over the years, the book publishing industry has changed a lot. With the start of many smaller, specialized publishers, e-publishing, and POD (print-on-demand) publishing, there are many options to getting your book published.

  • Most people have heard of the mainstream/traditional publishing houses (also known as trade publishers). Those are the ones that put major books in the bookstores, and many authors think of them when they want to market their book. Getting a book published by the likes of Penguin, Random House, Harper Collins, Simon & Schuster, or Macmillan Publishers (or one of these houses’ numerous imprints) can certainly raise an author’s marketability, possibly get them higher advances and sales, and increase their credibility. Here are some advantages and disadvantages to using a major publishing house:

PROS: These large publishing houses produce a wide range of genres in both nonfiction and fiction so you’re sure to find one that will publish the type of book you’re marketing. They also have big budgets so there is a higher chance for larger book runs, substantial advances, increased marketing budgets, and help marketing your book. If you’re writing a book to position yourself as an expert or to build you or your company’s brand, this option gives you the leverage to do that.

CONS: Even though these types of publishers publish more books than smaller presses, there is more competition to get noticed and accepted by a publisher. And there is no guarantee your book will sell or that you’ll get help marketing your book. In fact, you will likely be expected to do most of the marketing yourself unless you’re already an established author. You’ll also find it harder to receive personalized attention and service, due to the volume of authors they work with each year.

While most authors dream of publishing with the “big boys,” there are other options to getting your book published and out to the marketplace.

  • Small or independent publishers – While it might sound prestigious to publish with the larger companies, smaller or “indie” publishers are more prevalent, which gives you a greater chance of getting published. Not only can they give you the same outcome – a professionally published book – but they can also provide you with a long-lasting partnership and more individual attention.

PROS: These publishing companies are smaller, publishing fewer titles than the larger publishers, so there is not as much competition for the editor’s time and attention. This means personalized attention will be paid to your project and editorial focus on some of the finer details of your book. Plus, there is not as much pressure to sell copies quickly.

CONS: Being smaller, these companies purchase fewer books and have smaller marketing budgets. You might, depending on your book, get very little in the way of marketing support and be expected to do the marketing yourself. They also offer smaller advances than the larger publishing houses and might offer smaller or shorter print runs.

  • Academic publishers – Many of the larger and more prestigious colleges and universities have their own publishing arm. Examples of these are Cambridge University Press, Oxford University Press, and Princeton University Press. While the major trade publishers publish books for the general public, academic publishers produce scholarly and research books for students (academic, professional, and school titles).

PROS: Due to the nature of the topics these publishers handle, you will find less competition to get your book sold. If your book falls along these academic lines, publishing in this field can increase your credibility greatly and enhance your career, if that is your focus. As many also rely on peer reviews for publishing, you can be assured your work will get a thorough review by experts in your focus area.  

CONS: Many academic and scholarly books require some form of peer review or editorial panel to qualify a book for publication. This means your work has to go through several people before reaching the acceptance process, rather than a single editor. Not all peer reviews are equal, and selection standards for publishing can vary greatly between publishers and within varying fields of study. Also, these types of publishers don’t produce as many books, especially as many universities continue with budget cuts.

  • Self-publishing and print-on-demand (POD) publishers – Not that long ago in publishing, it was hard to gain any sort of credibility for an author who self-published their own book. It was known as “vanity publishing” because an author actually paid what could be a large fee to a “vanity press” to publish their book, rather than being paid by a publisher to produce it. However, with the increase in popularity of e-books, digital marketing, and easier print services, it’s become more common for authors to self-publish their books, helping them gain a platform for their work without losing credibility.

PROS: By self-publishing a book, you can have complete control of the writing, editing, layout, publishing, and marketing of your work. As technology has gotten better, much of what is done to prepare your book, such as layout, typesetting, and cover design, is done online instead of manually. This helps cut the costs of printing. Books can even be produced as they are ordered so you don’t have to have a large costly print run or store the books before they are sold. Plus, you get to keep 100 percent of your profits when you sell your books versus the average 10 percent you receive from a publisher.

CONS: While costs have come down from what they used to be, there are still costs associated with getting your book set up and printed when you self-publish. You can hire a company that will do all the layout and design services, but you will still be in charge of the whole project. You’ll also have to handle your marketing, finding creative ways to promote your book among the huge volume of them already being marketed. And, if you don’t go with a POD publisher, you will have to stock and keep track of your book inventory, as well as create a good system for sales, bookkeeping, and tax purposes.

Step 2: Find the right publishers for your book

Now that you have an understanding of the types of publishers out there, you can narrow your search by category and begin to identify which one is right for you. The first step is to discover exactly who the traditional publishers or self-publishing companies are in your category.

Certainly, you can head over to Google and do a quick search for publishing houses. But, by far, your best research tool out there to find traditional trade book publishers is the Writer’s Market by Writer’s Digest. While it is subscription-based with a cost, the fee is nominal and well worth the money with either a monthly, six-month, or annual subscription. A Writer’s Market hardcopy or Kindle download can also be purchased from Amazon, and they also offer directories in specific book genres.

The Writer’s Market provides a full directory of trade book and magazine publishers, and their list is updated in real time. It includes all the necessary information including contact information, names of editors, type of publisher, types of books they publish, and how they want to receive submissions. It is a wealth of information that will save you time in the process with its search features.

Other directories that have book publisher listings include Jeff Herman’s Guide to Book Publishers, Editors & Literary Agents, 28th edition; Writers’ & Artists’ Yearbook 2019; and The Writer (online).

Another great way to find the right information on where to submit your book is by looking at published books that are similar to yours. Check the copyright or imprint page for the name and address of the publisher, then turn to the dedication or acknowledgment pages, as they often mention the names of the editors and agents who worked with the author.

You can also look at the author’s website or the publisher’s website to gather more contact information.  

If you choose to self-publish, there are many great companies out there to work with. Check out your options at Writer’s Digest’s Directory of Self-Publishing Companies, MoneyPantry’s Top 10 Self Publishing Companies to Publish Your First Book, or PublisherGlobal’s Self Publishers.

Step 3: How to submit your book to the right publishers

How you submit your manuscript will depend on how you want to publish your book and will vary from publisher to publisher and company to company.

To self-publish, contact the self-publishing companies you’ve identified you might want to work with. Review their websites to learn what their process is for publishing books and what they can do for you. Research what they charge and what services and terms they offer. Call the company and interview them so you make sure to get the right fit for you and your book.

For traditional trade publishing, some publishers will not accept unsolicited requests except through an initial query letter. Some publishers will only accept a proposal or manuscript through a literary agent. Others will request a book proposal be sent.

It is very important to follow their guidelines. Publishers and editors are busy people and get hundreds of unsolicited manuscripts. You do not want to waste their time or be ignored simply for not following their guidelines. Never be the exception to the publishers’ rules!

When you research various publishers within the directories, they will list out all the information on the format for submission, what to include, who and where to send it to. Following each publishers’ guidelines carefully will set you well above the competition in getting the editor’s attention.

Always make your submission concise, memorable, relevant, and respectful. Create your hook, describe your book’s genre, the key problem it addresses, how your book will solve this problem, and what makes your book different from the competition.

And, while it might seem counterproductive, if you already have a finished manuscript, you will still need to write a query letter and, in most cases, a book proposal to submit. It would be a very rare case to send in a finished manuscript with your first contact with a publisher. Editors have limited time and will not have the luxury of sitting down and reading your book in full. They just want the guts of what your book is about and what it has to offer.

How to craft your best query letter

A query letter introduces you and your book idea to a potential editor. Its sole purpose is to grab the editor’s attention with just enough information to make them say, “Yes! Send more!”

Your letter should get the editor excited about your idea while also being professional, intriguing, and concise. It is a chance for the editor to evaluate your book idea without having to spend a lot of time reading the whole manuscript, and discover right away if your book is a good fit for them.

It is best to keep this “sales pitch” to only one page of 400 words or less. The letter should contain three sections: the hook that draws the editor in, a short synopsis of your book, and your author’s biography. As you are pitching a nonfiction book, you can also include brief information regarding the target audience, if you have space in the letter.

Always follow the proper format for your query letter, and always send it directly to the appropriate editor by name and title. Most publishing houses will have numerous editors that handle various genres of books. If you aren’t sure which editor handles your specific genre, simply call the publisher and ask. This will ensure your query gets into the hands of the person who can say, “YES!”

How to craft your best book proposal

Why would you need to create a book proposal if you’ve already written the full book?

When self-publishing your book, you will certainly need your full manuscript completed to move on in the publishing process. However, if you are looking to publish your book with a traditional publisher, the standard process is to only submit a book proposal. These publishers won’t review the full manuscript but will potentially purchase your book based on a synopsis and sample chapters.

Even if a publisher only wants a query letter on initial contact, it is still a smart idea to draft a book proposal so it is ready to send off as soon as an editor asks to see more.

Why should they, the publisher, buy and publish your book? What makes your idea a good and salable book? Your book proposal is your convincing argument to get them to invest in your manuscript and pay you for it.

The length of a book proposal can vary greatly depending on the complexity of your book. Most proposals run from 15 to as many as 50 double-spaced pages with sample material and are written using a standard and expected format. You should always include a cover letter introducing your book and yourself as the author. The proposal should also include a synopsis of the book, the table of contents or outline, information about the competition, similar published books, marketing and promotion information, an author’s biography, and sample chapters.

A solid book proposal will cover exactly what the book is about, why you are the ideal person to write the book, who will buy it, and how you will address your topic.

You can get more information on writing a nonfiction book proposal at How To Write The Perfect Nonfiction Book Proposal. Or check out SampleTemplates and Template.net for sample book proposal templates. 

Step 4: Tracking your submission and the pros and cons of simultaneous submissions

When you start to submit your book to publishers or agents you don’t want to forget who you sent it to and when. It’s never good to hound an editor or follow up too soon. Within the directory of publishers, you’ll find that most will list what their response time is on submissions.

Creating a simple spreadsheet will help you keep track of all the submissions you make. By including the publishing company, editor’s name, address and phone number, when you sent your query letter or proposal, and the expected response time, you can easily see which editors responded back, what their response was, and who you still need to follow up with for an answer.

If you’re submitting to just one book publisher or agent at a time, then tracking will be a simple process. But what about simultaneous submissions, sending your book to more than one publishing house at a time?

Some book publishers and agents are open to this process; others are not. This information should also be found within the publishing directories. Always follow their rules and guidelines. Whether or not you choose to submit to only one editor at a time or many is up to you, but be open and upfront with them. While you don’t have to tell them who else you’re submitting to, if you are making simultaneous submissions, let each editor you are doing so. Also, let them know if or when your book has been accepted by another editor. 


A word about literary agents

So, do you really need a literary agent or can you get your book published with a publisher all on your own? Isn’t it easier to cut out the middleman?

This really depends on where you pitch your book.

Many publishers, especially the smaller presses, will accept unsolicited submissions and evaluate your idea based on a good query letter and/or book proposal. Others, like the bigger publishing houses, only accept submissions through a reputable agent.

While hiring an agent adds one more step in the process of getting your book into the hands of your readers, and requires you to pay a commission, there are many advantages.

A good agent knows the publishing process and has inside knowledge of publishing houses, editors, and what they are buying. They also lend credibility to your work as they have vetted your idea before approaching busy and overwhelmed editors. They act as the go-between for you and the publishing house, helping with contract negotiations and potential larger advances. They can also help you improve your book proposal even before you approach a publisher.

A good agent can definitely be an asset as they have the knowledge and contacts to get you noticed.


Now’s the time!

While it may seem like a long and daunting task to get your nonfiction book into the hands of your audience, it is a very worthy cause to see your book in print! Odds are you will have to pitch to many publishing companies and their editors before you will find one to say, “YES!” However, if you follow the steps outlined above, you will find the process should give you faster and easier results.  

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Stephanie’s expertise in English and writing spans over a decade in freelancing and teaching. Stephanie worked as a staff writer and editor for The Houstonian, contributed to The Huntsville Item, freelanced for The Houston Chronicle and spent four years teaching English and reading at the junior high and high school level. She has a Master’s Degree in English from the University of St. Thomas and a Bachelor’s Degree in Journalism from Sam Houston State University. Stephanie has also ghost-authored several non-fiction and fiction manuscripts, numerous fashion and travel articles, and countless press releases, pitch letters, taglines, and print ads. Her copywriting and journalism experience includes technical copy for Tyco Flow Control and customer communications copy for a major American credit card company. Stephanie has also worked on copy and campaigns for Hilton and Carpet One Floor & Home, North America’s largest floor covering retailer. At The Writers For Hire, she has overseen, edited, proofread, or written copy for over 50 clients. Stephanie is an exceptional proofreader, writer, and editor and has a gift for adding a creative flair to projects while keeping copy professional and concise.

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Stacy Clifford - Copywriter

Stacy Clifford is a wearer of many hats, both literally and figuratively. Having earned a B.S. in Geology from the University of Texas at Austin in 1996, his career has covered environmental cleanup, software testing, web development, technical support, copy editing and proofreading, and martial arts instruction. He has been proofreading since 3rd grade English with Mrs. Barry, corrected every stripe of web copy for over 15 years, copy edited both fiction and non-fiction books, and written on subjects as diverse as volcanology, sword fighting, and space colonization. A fixer by nature, Stacy is a stickler for structure and form and enjoys a good challenge whipping a document into shape. When not tackling the worlds problems or teaching people how to stab each other, Stacy enjoys pencil drawing and hiking in the national parks.

Flori Meeks - Copywriter

Flori, who has more than 25 years of writing experience, began her career in suburban Detroit as a community newspaper reporter. She has worked as a neighborhood news editor for the Houston Chronicle and as a copywriter for Powell Public Relations. During more than 10 years as a freelance writer, her projects included newspaper and magazine articles, press releases, brochure and website copy, Request for Proposal (RFP) responses, and grant applications. Her clients have included Galveston Monthly magazine, Weddings in Houston magazine, Judy Nichols & Associates (public relations) and NCIC Phone Services, along with nonprofit organizations, Lifeway International and Newspring. Since joining The Writers For Hire, Flori has assisted with social media campaigns and written blog posts, articles, press releases, brochures, and web copy.

Flori has a bachelor’s degree in journalism from Oakland University.

Jessica Stautberg - Lead Copywriter

Jessica joined The Writers for Hire after several years of technical writing for two Department of Defense contractors, where she created software documentation and online help, as well as material for the company websites and newsletters. Since joining The Writers for Hire, Jessica has become the company’s resident “Wiki guru,” and manages most of the Wikipedia projects. She also manages social media campaigns for several local businesses, provides copy and layout options for website projects, writes blog posts on topics that include the oil and gas industry, web hosting, and fashion, and writes articles, brochures, books, and press releases. Jessica has a Master’s in Technical Communication from Texas State, where she also edited and proofread articles for Center of the Study of the Southwest’s academic journals while working as a ghostwriter for Infobooks.com. She has a Bachelor of Arts degree in English from Southwestern University.

Jennifer Rizzo - Copywriter / Genealogist

Jennifer, also known as "Rizzo," is a Denver-based writer and genealogist with a passion for history, travel, and languages. She studied Spanish at the University of Guadalajara in Guadalajara, Mexico and also lived and studied in Ancona, Italy. She also holds a certification for International Tour Management through the International Guide Academy, as well as a Genealogy certification from IAP Career College. Since joining The Writers For Hire, Jennifer has tackled a vast array of projects—from RPFs and SOPs to memoirs and company history books— and has done many in-depth genealogical research and family tree projects. She has also worked as Project Manager for various client projects, including family history books, websites, RFPs, blogs, autobiographies, and SOPs. Jennifer is our resident historian and genealogist, and can often be found examining 200-year-old books in various archive sites around the globe. She enjoys working closely with clients, and loves any opportunity that allows her to indulge her creative side.

Peter Albrecht - Copywriter

After putting in enough time as a busboy, a cheesesteak artist, a medical courier, and a nightclub bouncer, Peter took the logical next step—securing a position at a bicycle shop. While serving as a mechanic and a salesman, his incriminating degree in creative writing from the University of Arizona got him assigned to every additional duty that had anything to do with words. Between all the wrenching and selling, Peter wrote website copy, emails, blogs, digital and print ads, press releases, articles, advertorials, and scripts for radio and television commercials. What started as a summer job evolved into an 18-year career in the cycling industry, gaining him experience in corporate communications, public relations, social media management, event planning, marketing, and retail advertising. Since joining The Writers for Hire, Peter has branched into ghostwriting, op-eds, RFPs, SOPs, and producing work for aerospace and engineering firms, public utilities, oil and gas companies, real estate developers, and the entertainment industry. At his home base in New Jersey, Peter spends his free time souping up cheap vintage guitars, admiring his dog, and talking about moving to the Adirondacks.

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Arielle Emmett joined The Writers for Hire after a 30-year career in science, technology, and international journalism education. Early in her career, during the Watergate era, Arielle was selected as a journalism intern for The New York Times columnist William Safire, and she was a correspondent for Newsweek. She has worked as an editor for Science Digest, as a reporter and features staff writer for the Detroit Free Press, and as a columnist for The Philadelphia Inquirer and The American Journalism Review. She also has held senior editor and editor-in-chief positions at leading technical magazines and was a 10-year contributing editor at The Scientist. Arielle’s work has been published in Parents, Ms., OMNI, and Toronto Globe & Mail, among other publications. In 2011 she completed her doctoral dissertation in visual media and iconic photography at the University of Maryland. Since then, Arielle has taught science communications and online journalism at Temple and Drexel Universities, International College Beijing, and University of Hong Kong.

Erin Larson - Copywriter

With a Bachelor of Science in Language Arts from Georgetown University and 20 years of editorial experience, Erin brings a passion for words and well-crafted writing to every project. As a writer, she revels in the opportunity to create vibrant original copy and rejuvenate tired text. She has written on a range of topics, in a variety of styles, and for an array of platforms. As an editor, proofreader, translator, and trusted second set of eyes, she has helped clients from around the world enhance their writing. A self-proclaimed editorial perfectionist, Erin once canceled a credit card because of a grammatically incorrect form letter, which she edited and promptly sent back to the company. (Incidentally, she wasn’t surprised to receive no response.)

Devin Lawrence - Copywriter

Devin is a writer from Richmond, Virginia. He’s been an avid fan of fiction literature ever since he was young, and spent most of his adolescence pouring over one book series after another. Some of his favorites from back in the day include Percy Jackson and the Olympians, Ender’s Game, Ender’s Shadow, and The Edge Chronicles. He began pursuing creative writing when he was twelve, hoping to someday emulate his favorite authors. He has since spent more than ten years continuing to hone and expand the skills of his craft, graduating from Old Dominion University with a degree in Professional Writing in 2022. He has written on topics ranging from technology trends, to criminal justice, homeland security, self-defense, hiking and camping, workplace operational analysis, the challenges of eldercare, and data privacy. Creative by nature, Devin also dabbles as a graphic designer with particular interest in infographics and flowcharts.

Chris DeLange - Copywriter

Chris is a London-based writer with a strong background in HR/Learning & Development. He has held senior positions at large corporations in London as both Talent Development Business Partner and Head of Learning and Development. Chris graduated top of his class when he completed his MSc in Industrial Psychology at the University of Leicester in England. He also holds a TEFL/TESOL qualification in teaching English as a Second Language from Global Language Training. Chris is a big foody and is always exploring new dishes and creating new recipes. He became a qualified Chef in 2012 when he studied Culinary Arts at the International Centre For Culinary Arts in Dubai. He is very passionate about writing and is working on multiple team projects. Chris joined The Writers For Hire in 2022 and is settling in very well.

Morgan Pinales - Copywriter

Morgan has worked in marketing and communications for more than eight years, with a primary focus on copywriting and content creation. Throughout her years of experience, she has written and edited almost every kind of copy imaginable – magazine articles, blog posts, website copy, brochures, press releases, nonfiction books, newsletter articles, brand guidelines, and more – for both B2B and B2C audiences in a wide array of industries, including energy, technology, finance, healthcare, education, travel, retail, and more. In addition to her creative skills, Morgan has technical expertise in HTML coding and utilizing content management systems (e.g. WordPress) and email platforms, such as MailChimp, ExactTarget, and Constant Contact. With a lifelong interest in language, it is not surprising that Morgan has a bachelor’s degree in German and Linguistics from Rice University, where she studied more than eight languages. In 2011, she received her master’s degree in Advertising from The University of Texas, where she was accepted into the elite Texas Creative Program for her copywriting skills. In her free time, Morgan enjoys writing personalized picture books for friends and family.

Shelley Harrison Carpenter - Copywriter

Shelley’s love of words began in first grade, composing poems for her dear teacher and mentor, Mrs. Blanchard. Her writing career began with several years as a county newspaper reporter, where she developed a love for interviewing all sorts of people. Besides feature writing, her news beats included city government, education, and nonprofits of every stripe. As a determined “adult student,” Shelley graduated summa cum laude from the University of North Carolina at Greensboro in 2010 where she also wrote profiles of outstanding adult students for a “Web Weekly” newsletter and edited a grant proposal for a campus office. After college, she wrote English instructional materials, website copy, product copy, and blogs before joining two construction and development ezines as a staff writer, happy to be conducting interviews for each assignment. Several years of intervening employment in corporate merchandising and HR deepened Shelley’s understanding of the workings of larger companies and the written content they require. She now loves being part of the writing teams at The Writers for Hire. When not at a keyboard, she can be seen jogging in her Southern neighborhood or found holed up with a biography, a vegetarian cookbook, or a vintage TV show.

Melanie Green - Copywriter

Melanie Green is a Tampa-based writer and editor, with a focus on digital marketing content. She has more than 15 years of experience writing professionally, including time spent as a full-time employee of McKinsey & Company, Nielsen, and The Business Observer. She loves to write blog posts, website pages, press releases, RFPs, and whitepapers for companies of all sizes in the United States. 

She earned her Master of Fine Arts in Creative Writing with a concentration in screenwriting from National University in La Jolla, California, and her Bachelor of Arts in Writing from the University of Tampa in Tampa, Florida. 

Carol Kim - Copywriter

Carol Kim is a versatile freelance copywriter who specializes in content marketing, blog posts, website content, and email marketing for business clients. She especially enjoys diving into research and discovering what makes every company unique. Carol holds a bachelor’s degree from Pomona College and a Master’s in Public Affairs from the LBJ School at the University of Texas at Austin.

Carol is also a children’s book author, having written several fiction and nonfiction books for the educational market. She especially loves helping kids learn about the environment and social sciences. Her first nonfiction picture book from a trade publisher is due to be released in fall 2021. 

Martha Scott - Copywriter

Martha Scott’s technical writing career began on a contract at Houston’s Johnson Space Center. She edited papers for scientific journal publication, documents for departments across the site, and a book about a proposed crew escape vehicle. She produced a yearly booklet describing Shuttle contract cost-saving measures, the mission managers’ Flight Data Pack, and a 45-page booklet called Charting a Course to the Year 2000 and Beyond describing plans to develop additional space vehicles and prepare for manned Mars explorations. At Invesco, Martha edited and contributed to two company newsletters (online and hardcopy). She wrote software user manuals, Help files, Training and Benefits department documents, and, finally, shareholder reports. She returned to aerospace for the Shuttle Program’s last 5 years where she attended and produced detailed descriptions of presentations and subsequent discussions at the Orbiter Configuration Control Board’s weekly meetings. She also documented crew debriefings for 17 flights. Martha’s most recent experience was on Jacobs Engineering’s contract with a Texas City refinery for which she wrote and edited Engineering, Safety, Inspection, and Information Systems documents.

Suzanne Kearns - Copywriter

Suzanne knew she wanted to be a writer at the age of ten when she wrote her first story, and has spent the past 2 decades writing blog posts, magazine articles, nonfiction and fiction books, sales letters, white papers, press releases, website copy, and anything else that can be put in written form. She has written for Intuit, Avalara, NerdWallet, GoPayment, and as a ghostwriter for a few well-known CEO’s. Her work has appeared all around the internet, including on sites like World News and Reports, Entrepreneur.com, and Forbes. She loves nothing more than being presented with a bunch of data and asked to break it down into digestible content for readers. Most days you’ll find her sitting on her porch with her laptop, writing to the sound of the ocean, and marveling that life can be this stinking good.

Jennifer DeLay - Copywriter

Jennifer has a background in journalism and Russian area studies. She holds a BA from the University of Texas at Austin and an MSFS from Georgetown University. While in graduate school in the mid-1990s, she developed an interest in the oil and gas industry of the former Soviet Union and launched a free newsletter covering the subject. She then spent more than 20 years researching, analyzing and writing about related topics, working for multiple weekly publications and a private consulting firm. Her areas of professional interest also include energy and power in China, Iran and the Eastern Mediterranean, and for fun she researches linguistics, neuroscience and disability-related issues. She has experience in copy-editing and has frequently worked with both native and non-native English speakers, helping them to produce clear, easily understandable articles on complex political, economic, legal and technical topics. Additionally, she has managed many time-sensitive typesetting projects for community institutions. Jennifer enjoys writing personal essays and lives in Atlanta with her family.

Dana Robinson - Copywriter

Dana Robinson has been writing and editing professionally for 10 years, publishing her first article in 2007. She serves as Editor-in-Chief of a local online magazine and is a contributor to various Houston print publications. She honed her experience writing newsletters and managing social media for small businesses and non-profits before moving on to e-books, magazines, and non-fiction books for print. She also enjoys teaching creative writing workshops for children. Dana received her formal education at the University of Houston–Downtown, where she majored in professional writing, minored in creative writing, and was the recipient of the Upper Division Writing award for best essay. She completed internships with Writers In The Schools and The Bayou Review.

Brenda Hazzard - Copywriter

Brenda Hazzard has over 30 years’ experience working as a writer and editor in the private and public sectors. She spent over 20 years working for the US Government in Washington and abroad, and spent several years working with the CIA during which she managed a team of writers producing internal briefs on international news, events, and politics. She writes on a variety of topics but loves opportunities to work on projects that cater to her keen interest in international affairs. She considers herself to be an empathetic editor, one who improves a draft but lets the spirit of the writer shine through. She has also worked on dissertations, white papers, newspaper articles, and family histories.

Adelia Ritchie - Copywriter

Adelia is a scientist, educator, technical writer and editor, poet, and blogger about her Pura Vida lifestyle in Costa Rica. She has more than 40 years experience writing professionally, including her years at Science Applications International Corp., Bechtel Corporation, Defense Acquisition University, and the Department of Defense. She earned her Doctor of Philosophy in Physical Organic Chemistry at Northwestern University in Evanston, Illinois, and her Bachelor of Science in Chemistry and Physics from the University of West Florida in Pensacola, Florida.

Carey Miller - Copywriter

Carey brings more than 20 years of writing and editing experience to The Writers for Hire. A lifelong writer and reader, she holds a B.A. in English from UCLA. Her background includes writing and editorial positions with both book and magazine publishers. She has worked as a copy editor and proofreader for major advertising agencies including Ogilvy & Mather and Rubin Postaer. Her experience includes magazine feature writing and editing as well as manuscript development and editing. A former advertising sales executive, she has crafted a wide range of business, sales, and marketing communication for leading magazine publishers including Conde Nast and Hearst. She has worked with major consumer brands including Nike, Visa, Levi’s, General Motors, Microsoft, Charles Schwab, and Neutrogena.

Coralee Bechteler - Copywriter

In the past, Coralee has been an organic farmer, a chicken herder, a zipline administrative assistant, and an ESL teacher for kids. Today, she's living her childhood dream of being a writer. She currently resides in New York with her cat (and muse) Hermes and a miles-long TBR list that gets longer every day. If she's not reading or crafting, you can usually find her pulled over on a country road writing something down or picking wildflowers. Coralee holds a bachelor's degree in English, an associate's degree in Horticulture, and multiple internationally recognized software testing certifications.

Cecile Brule - Copywriter

Cecile enjoys the challenge of discovering each client’s unique strengths and presenting them to a wider audience. Since joining The Writers For Hire, she has worked on blogs, newsletters, RFPs, end-user documentation, email, social media, sales pages, biographies, op-eds, and fiction.

Previously, she taught in Shenzhen, China and obtained an HSK3 (Intermediate Mandarin) certificate. Cecile enjoys gaming, drawing, producing short films, and growing fifteen different varieties of apples with Serenity Orchards.

Rosalind Stanley - Copywriter

Rosalind Stanley grew up on the Coast of Maine and then accidentally spent fifteen years in Virginia's Blue Ridge Mountains, before moving to the Midwest. She graduated from Lynchburg College in 2008 with a B.A. in Creative Writing (and a minor in Theater Performance); ever since, Rosalind has endeavored to make writing a part of her daily life, whether creative or technical, whether as a volunteer or an employee. She has tutored students, taught workshops, edited fiction and non-fiction books, and worked as a beta reader and a legal writer. She also publishes a newsletter on Substack, where she releases her own fiction serially. When not writing, Rosalind is busy homeschooling her four children and raiding the local library for new fiction.

Sean Patrick Hill - Copywriter

Sean has been a professional writer for more than 25 years, and has an M.A. in Writing from Portland State University and an M.F.A. in Poetry from Warren Wilson College. He's the author of five books, and his writing has won him grants and fellowships from the Kentucky Arts Council, the Vermont Studio Center, the Elizabeth George Foundation, and the Regional Arts and Culture Council. He lives in Louisville, Kentucky, where he also works at his photography.

Wintress Odom - Owner / Editor-in-chief

Wintress founded The Writers For Hire in 2003 after freelancing for several years as a copywriter and editor. She has overseen, edited, proofread, or written copy for over 100 clients and is happy to have maintained long-term relationships with many of her first customers. Wintress is an exceptional proofreader and editor and has a gift for organizing large projects, including large technical manuals and manuscripts. Her educational background includes graduating cum laude from Rice University in 2000, studying at Cologne Gymnasium in Germany, and graduating valedictorian from The Science Academy of South Texas in 1994.
Wintress